Kate Haug

Kate Haug, Santa Cruz, San Francisco: Wet Press, 2017.

Kate Haug, “Summer of Love™: History’s Nothing But a Party (And Possibly a Discounted Hotel Room),” What’s Love Got to Do With It?, San Francisco: San Francisco Arts Commission, 2017. pp. 20-31.

Kate Haug, “Fantasy Islands and Bubble Trouble.” Kelly Inouye/ Fantasy Island, San Francisco: State Space, 2017.

“Desiree Holman: In Conversation with Kate Haug” SFAQ, December 12, 2016.

“Touching to See: Haptic Description and 21st Century Visuality.” LXAQ, (Issue 1, Fall 2016) pp.16-17.

“Who We Be at the Cantor Arts Center,” SFAQ, May 19, 2016.

“How the Visible Becomes Invisible: Hank Willis Thomas at Kadist,” SFAQ, March 15, 2016.

“Everyday, A Color: Leah Rosenberg at Irving Street Projects,” SFAQ, May 14, 2015.

“All Exit at Johansson Projects”, SFAQ, December 17, 2014, with Kelly Inouye.

“Project Los Altos: SFMOMA in Silicon Valley,” SFAQ, March 5, 2014, with Kelly Inouye.

“Literary Adaptation: Interview with Barry Gifford,” Release Print, (November/December 2003) pp. 14.

The Next Wave: MadCat Women’s International Film Festival,” The Independent, (January/February 2003) pp. 31-34.

“Interview with Carolee Schneemann,” in Experimental Cinema: A Film Reader, Wheeler Winston Dixon and Gwendolyn Audrey Foster, eds. (London: Routledge) pp.173-188.

“Interview with Carolee Schneemann,” Imaging Her Erotics: Carolee Schneeman: Essays, Interviews, Projects, (Cambridge: MIT Press, 2001) pp. 20 – 44.

“The Geography of Waxing,” On the Page, (January 2002).

“Hollywood’s Original Independents,” The Independent, (April 2000) pp. 23.

“Festival Fever: The LA Line-up,” The Independent, (April 2000) pp. 42.

“Profiles: Cauleen Smith – Drylongso (ordinary),” The Independent, (April 1999) pp. 11.

“Time Frame,” Afterimage, Vol. 26, no. 3, (November – December 1998), pp. 15.

“Chick Flicks: New York Women's Film Festival,” The Independent, (July 1998), pp. 22 - 23.

“The Asphalt Adventures of Super 8,” The Independent, (May 1998), pp. 36 - 40.

“Femme Experimentale,” Wide Angle, Vol. 20, no. 1, (January 1998).

“Interview with Kenneth Anger,” Wide Angle, Vol. 18, no. 4, pp. 74 - 92.

“Myth and Matriarchy: An Analysis of the Mammy Stereotype,” in Fuenmayor et al., Dirt and Domesticity: Constructions of the Feminine, (New York: Whitney Museum of American Art, 1992), pp. 38 - 57.